To assist the director, producers, and DP analyze a shot, scene, or sequence, Stargate provides upfront script evaluation, storyboarding and previsualization services. This may include sketches, storyboards, and 3D animatics to help determine best camera position, movement, lens size, set elements, and green screen placement.

Stargate Studios provides a complete array of production services with fully equipped shooting stages, full suite of 35mm film and HD cameras, specialized green screen rigs, portable motion control systems, and complete lighting and grip packages.

At Stargate Studios we believe that matte painting is one of the most valuable, dramatic, and cost effective assets in cinema and television today.

From extending a set or location, to recreating scenes from the past, or creating entire worlds in the future, matte painting offers a visual range and scope otherwise implausible or unaffordable in most productions.

Whatever world you can imagine, we can create in 3D. From immersive, photo real environments to real life characters, our 3D CG department can make it happen. The more important question is what needs to be 3D and what can be created in live action, miniatures, matte painting, and compositing. In a digital world where anything is possible, it's the 3D conceptual design and planning of our experienced artists that makes the difference -- saving time and money and creating the most satisfying experience

Stargate Studios' Virtual Backlot™ is a valuable asset in any production. More than just green screen, the Virtual Backlot™ creates an immersive, 3D environment which can be photographed from any angle, moving in and around objects, in a complete 360º world.

Combining matte paintings, green screen elements, and photo-real 3D models, any world can be created or extended within the challenging schedules and budgets of film or television.

We currently have an 8 person staff skilled on the Avid Nitrous DS, Adrenaline, Express, Adobe Premiere and DVS Clipster. With our well equipped tape room capable of working with HDSR, HD CAM, D5 and XD CAM for HD and Digi Beta, Beta SP, and DV Cam for NTSC, we can accommodate many of your needs.

Our DVS Clipster is the main Input/Output station, which enables us to work with many formats from NTSC up to HD 4:2:2 and HD 4:4:4. Having many talented Avid Editors we are capable of handling different kinds of offline and online projects.

With over 40 years of combined experience working in Post Production and Editorial, there is always something new and amazing to create with each project.